Posts Tagged ‘Vi1 Console’

HARMAN’s Soundcraft Vi1 is at the Heart of Stooshe’s Sound

LONDON, United Kingdom — Three-piece UK all-girl vocal group Stooshe is now using a pair of HARMAN’s Soundcraft Vi1 digital audio consoles on the road. The band’s popularity soared after sales of its debut single Black Heart reached more than 500,000, which led to a dedicated monitor engineer being brought in to the fold to join John Delf at FOH.

Delf has worked FOH for a number of major artists including Lily Allen and Plan B, and has been with Stooshe from the offset. He is also a big fan of Soundcraft’s Vi6 console. “I’d always liked the Vi6, and I’d never used a Vi1 before, so I saw this tour as the perfect opportunity to get to grips with it,” Delf said during a recent soundcheck at London’s Scala. “Within a half-hour of using it, I was back in the zone again. It’s just perfect for this kind of tour as the footprint’s so small and transportation is so easy. We only have a small trailer on the back of a van, but the two Vi1s fit in easily. Also, these consoles sound just as good as the Vi6. I was also able to use my Vi6 show file from Stooshe’s previous tour and it worked perfectly on the Vi1; that’s a big advantage to have, as it gives you an immediate platform to work from.”

Nigel Thomas was brought in three months ago to work monitors for the band and said it was a total no-brainer opting for the Vi1.

“What we realised quite early on was that the girls needed to have consistency,” he insists. “When I came in and had the discussion with John [Delf] about the kit, it very soon became clear to both of us that the Vi1 was absolutely the perfect solution. I’ve come across several of them when working in theatres and have always liked the way they sound, and I’m particularly impressed by the user interface. I find that when I’m working on it, I don’t even look down, as everything is just there in the right place.”

For a number of the shows on this tour, including the Scala show, the pair has used the venues’ in-house analogue multicores in combination with their Soundcraft Compact Stagebox, which Thomas said has allowed both engineers to get exactly what they need.

“Using the in-house multi means I can have a gain control,” he explained. “I’m then sending that up to John, and it’s then going into our digital [Compact] Stagebox at FOH, which is great because it allows John to basically put his desk wherever he wants to.”

At the Scala, Delf ran 28 channels at FOH, which left him enough space for any click tracks, cues, or last minute surprises. “We just found out that on tonight’s show there will be several guest vocalists,” Delf said hours before show time. “Fortunately we can make room for these very easily as the Vi1 has plenty of channels; and of course, due to the quality of the console’s built-in effects, it’s easy to tweak compression, reverb and EQ really quickly to get any vocal sounding good right away.”

Delf said for this show, he spends most of his “hands-on” time mixing Stooshe’s vocals. “That’s my main focal point, really; and the rest of the time I’m just making sure everything is nice and dynamic,” he explained. “I love the Lexicon effects in the Vi1: I use a plate reverb on the girls’ vocals along with a studio delay, and a drum reverb on the kit; all of them sound great.”

Thomas created 11 stereo monitor mixes: six for the girls and the band members; one for the backline tech; and four for the wedges and sidefills. He said working from the Vi1 makes his workflow “so much more efficient.”

“Unlike many digital desks, it doesn’t feel like you’re working on a typewriter when you’re operating a Vi1,” he said. “It’s just laid out so well, and because of that, it’s a lovely desk to work with. For John and I on this tour it’s been a fantastic little solution.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

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HARMAN Soundcraft Vi1 Delivers For UK-Based Celtic Rock Band IONA

NORTHRIDGE, California — U.K.-based Celtic rock band IONA has released over 10 albums since forming in the late 1980s and recently finished a successful tour throughout the United States while deploying a HARMAN Soundcraft Vi1 as its front-of-house console.

During a similar U.S. tour in 2010, Mark Jarrell, Owner of Dogwood Audio Sound Company, provided the sound reinforcement system for IONA. Preparing for the 2012 U.S. tour, IONA remembered Jarrell’s work and brought him on board as the audio engineer for the 11 tour dates spanning a 2-week period. After a conversation with Dave Bainbridge, IONA’s lead guitarist, the two decided the Soundcraft Vi1 console would provide them with the most flexibility.

“There are many challenges of traveling during a 2-week tour,” said Jarrell. “The stretches between gigs are not long and there isn’t much time to set up at the various venues. I have to be able to have everything up and running in no time and with the ability to recall the presets with the Vi console, I never have a problem.”

Another challenge for Jarrell is the varying size, acoustics and equipment of each venue. “We see everything from a large theater to a small club,” he said. “With the Vi1, all I have to do is adjust the EQ in the different venues—it’s straightforward. What I love is that once I adjust the settings for each venue, I can then save it as a file for when we come back.”

The custom channel layers also help Jarrell to have a smooth show, as he is able to arrange them to suit his needs. “The desk is a lot of fun to mix on,” Jarrell stated. “It’s such a warm sounding console! I use the Lexicon effects pretty heavily, the tap delay, reverb and more. It has the feeling of a nice analog desk; making an adjustment is always easy to do.”

With such a dynamic group, Jarrell appreciates the flexibility the Vi1 offers. “IONA likes to change up the set list sometimes. The road manager is also a percussionist so every once in a while they call him up to play along. I am able to easily control each microphone individually and it is really easy to adjust gain and the high pass filter if needed.”

“Overall, it has been a pleasure to tour with IONA and a lot of fun using the Soundcraft console,” Jarrell summed up. “I can’t wait until the next U.S. tour comes around. I already have all my presets and files saved so I’ll be ready.”

For more information about Dogwood Audio, please visit: http://dogwoodaudio.com/

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012

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Shanghai Oriental TV Studio Updates Audio With HARMAN Soundcraft® Vi1 Digital Console

SHANGHAI, China — Shanghai Oriental TV-owned Shanghai Media Group, Inc. (SMG), recently updated its studio in Pudong with a HARMAN Soundcraft Vi1 digital audio console. Pudong is a 400 square meter studio, mainly used for production of small scale variety shows.

SMG is one of Soundcraft’s longest-served customers: before upgrading to the Vi1, the studio housed a Soundcraft B400 analog mixer. Tasked with budgeting for a new console, the project team compared the Vi1 with several competitive models. In comparison, SMG highlighted four key factors regarding the Vi1:

  • The Vi1’s world-class DSP processing technology—a result of Soundcraft and Studer’s many years of console expertise.
  • 40-bit floating point processing technology.
  • The Vi1’s Vistonics™ interface is easy to use. Different engineers use the studio all the time, so ease of use is very important.  Users can see most of the parameters on Vistonics screens so there is no need to scroll through menus.
  •    As well as the different functions, the Vi1 associates controls with different colors on the Vistonics touch screens and FaderGlow™. This makes operation of the Vi1 very intuitive.

With such strengths, it was obvious that the Soundcraft Vi1 came up as the winner in the final selection, and the studio is already happily using its new console.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

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TMP Pibrac Theatre Invests in new HARMAN Soundcraft(r) Vi1 Console

PIBRAC, France – Built in 1989, the Théâtre Musical de Pibrac (TMP) is a popular concert and music-based theatre, situated 10 minutes from the centre of Toulouse. With an amphitheatre-style main auditorium, seating 448 (750 standing) it also has a separate lobby, exhibition area, café theatre, rehearsal and reception areas. The theatre receives incoming shows as well as producing its own, with resident company, Figaro & Co.

TMP recently decided to overhaul its distribution network and at the same time upgrade its HARMAN Soundcraft analogue desk to digital, which would be placed on its new Riedel RockNet backbone.

“We needed a desk both to run our own shows and for the incoming productions-and therefore it needed to be one that would be familiar to the bulk of technicians,” said theatre director, Stéphane Novak. “In particular we were looking for a compact desk, with good de-esser and compatibility with the RockNet card for the stage preamp.”

Before making their choice, three of the theatre’s technical team reviewed several of the market leaders, but following a demonstration, placed their order for a Soundcraft Vi1 with local dealers, Spotco. This was delivered in January this year, accompanied by after-sales training from the supplier-and pressed straight into service.

The Vi1 is the smallest sibling of Soundcraft’s popular Vi digital range, which began with the Vi6. This takes the platform to a more affordable level with a reduced footprint that retains the acclaimed Vistonics(tm) user interface and signature Vi sound quality. The Vi1 represents a complete standalone console package with 32 channels of analogue input (64 channels to mix when attached to stagebox) to 27 analogue outputs, plus six digital inputs, four stereo FX returns and six digital outputs in one chassis.

“We are satisfied that we made the correct purchase,” Novak said. “We particularly like the quality of the EQ, the onboard dynamics and the routing.”

Pibrac itself may only have a population of 8,500 but they can be proud that the local commune has invested in a facility that is so highly appreciated.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012. The Company’s shares are traded on the New York Stock Exchange under the symbol NYSE:HAR.

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HARMAN’s Soundcraft® Vi1 Delivers it Strait for Matthew Manasse

LONDON, United Kingdom – When members of Dire Straits got back together for a one-off charity event at the Albert Hall, sound engineer Matthew Manasse was asked to look after the front of house mix. Having previous connections with keyboard player Alan Clark, and being a close colleague of their original engineer Robert Collins, Matthew was an obvious choice.

The incredible response led to repeated demands for the band to play again—and so ‘The Straits’ took to the road. This culminated in a full European tour recently that saw Matthew Manasse mixing the shows on a Soundcraft Vi1.

Having toured with some of the biggest names in the industry, from Dave Brubeck and Katie Melua to Rufus Wainwright and Pink, Manasse is highly regarded in the world of professional audio. However, in a world of ever tightening budgets he had become disillusioned with the touring market and left it to concentrate on running his new venture, Bluefish Live Events, to service the corporate events market.

But The Straits tour proved irresistible and as an early champion of Soundcraft’s Vi6, he had no hesitation in turning again to the company’s digital platform. The Vi1 was provided by Sound Technology, HARMAN’s distributor in the UK and ROI.

“I really loved the Vi6 so when the Vi1 was suggested I was initially a little concerned that its compact size might make it difficult or slow to navigate,” he admitted. “There are only 16 input faders visible at any one time and with 44 inputs from the stage I was worried that I’d be constantly switching between the layers and that this would take my attention away from the mix.”

Fortunately, Soundcraft was one step ahead. “There are five user definable fader layers so I’ve been able to group together the inputs that I need for different elements of the show,” Manasse said. “Accessing the right channel has never been so easy. With sound levels ranging from around 70dB up to the dramatic peaks of around 108dB, I needed a digital console that was versatile, small and flexible and that could handle that dynamic range without running out of headroom.”

The system has been programmed so there is a page for the opening number, a different page for the rocky songs and a third for the more acoustic ones. “On each of these fader pages I have the key input channels visible that I know I’ll need to access quickly,” Matthew continued. “Obviously some channels, such as the lead vocal, will appear on all these pages but that’s what makes this desk so flexible. I always have the inputs I need at my fingertips.”

Whereas previously he would simply recall a snapshot for every song, with the user definable layers he’s decided to mix the show on the fly, making the experience a lot more fun. “This has the effect of keeping the whole mix fresh as I have to stay completely involved.”

The other area where the console scores highly is on the output section. Concert Sound Clair, which has a long history with both Manasse and Dire Straits, is providing a monitor system and FOH control for the tour.

“As we aren’t able to carry a full PA system, CSC had given me an advanced processor as part of the package so that I could take complete control of the house systems that I’m using—but due to the number of matrix outputs on the Vi1, all with delay and EQ, I haven’t needed it once,” Manasse added.

CSC also provided a Vi stagerack, adding 64 mic/line inputs on stage to the 32 on the back of the console, which was a further bonus. The sound engineer noted that since the Soundcraft preamps are modelled on the Studer, this provided him with “an exceptional sound.”

The Vi1 also offers four Lexicon effects engines, which Manasse has been using sparingly on percussion, acoustic guitar, sax, vocals and the signature National steel guitar. “I am a huge fan of the built-in Lexicon effects,” he said, “and the Vistonics™ interface on the Vi1 makes it is so much more flexible and intuitive.”

One facility on the Vi1, which he regards as essential, is the input channel delay. “A few years ago I started to experiment with time alignment and now apply this to every mic on stage; it’s time consuming but the results speak for themselves as there is a marked increase in clarity and depth within the mix.The big advantage is that I can keep the acoustic guitars sounding like acoustic guitars, I don’t have to use the EQ to make them cut through as I’m already creating the ‘space’ with the time correction. By reducing the amount of ‘mess’ onstage I can keep the whole band sounding more natural.”

With Gareth Lewis on monitors and Nick Belshaw tour managing, the house engineer reflects on a thoroughly enjoyable tour of duty, before he again replaces the world of circuit venues (averaging out at around 1,500 capacity), to four and five star hotel conference and banqueting rooms.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

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