Posts Tagged ‘Vi1 Digital COnsole’

BSAmedia Chooses HARMAN Soundcraft Vi1 Console as Versatile Hub of New Modular Mobile Setup

Scraft_BSAmedia2UTRECHT, The Netherlands – When Dutch sound engineer Bart Schulz set up his own company, BSAmedia, at the beginning of this year, his main goal was “to deliver a high standard of sound engineering and make high quality gear affordable for everyone.” Having worked as a sound professional for 30 years—including live sound, studio and remote recording, live radio and TV broadcasts—he had recently been training sound engineers while developing broadcast sets and studios in his native Utrecht.

Setting stringent standards of equipment specification, he purchased a HARMAN Soundcraft Vi1 digital console from the company’s Benelux distributors Audio XL to form the hub of a modular mobile unit — knowing that the brand would be familiar to a customer base comprising broadcasters, musicians, recording studios and theatres.

Supplied with Compact Stage Box, a MADI optical card and 100-metre Quad Fibre drum, the Vi1 replaces a previous 16-channel analogue live set-up.

“I can use this as a stand-alone unit for live sound, or combine the Vi1 with a 19-inch recording module for remote recording and music production,” he said. “Alternatively I can connect the Vi1 and stage box with a set of 19-inch broadcast modules to do live broadcasts on location. It is perfect for the market niches that BSAmedia wishes to cater to.”

Bart Schulz has used Soundcraft consoles throughout his sound engineering career, and being active in broadcast is also very familiar with Studer. “The fact that the Vi1 is combining key elements of both brands made it BSAmedia’s ideal desk, suitable for all our activities.”

The reduced footprint of the Vi1 is also a huge advantage—for two reasons: “Most of the time I work alone and cannot physically handle a big console, and secondly, most theatres and other locations where I intend to use my Vi1 are pretty small.”

But prior to making the decision Bart Schulz set out a wish list and surveyed the market options within his budget. He knew the desk needed to be both flexible and versatile—and then a sound engineer friend suggested he contacted Audio XL, who arranged a demo.

“Some of the desks I had reviewed were very good for mixing music but missed broadcast features, and others were very good for broadcasting but unsuitable for music production. There was only one desk that was able to handle everything straight out of the box, and that was the Soundcraft Vi1.

“It was of high quality, with a very good sound, packed with great effects and all the broadcast features like GPIO’s and intercom incorporated into a single package. It seemed like the ideal solution. Although I had done my homework, Martin van Kouwen, at Audio XL answered any other questions and arranged delivery in double quick time.”

Although a newcomer to the Vi Series he says the platform is extremely easy to work with. “I got the Vi1 up and I had it up and running within the hour.”

Once he delved deeper into the Vi1’s attributes he was quickly impressed with the overall layout of the control-surface: “All functions are grouped logically — you instantly know were to look/grab, and FaderGlow® is a useful addition.” He also highlights the layout and ease of use of the Vistonics™ screen, combined with the placement of the rotaries. “This makes for a straightforward approach — just as on an analogue desk — while it packs all the power and benefits of digital.” Finally, he says the Gang Mode and Follow Output Solo Mode are extremely useful additions. “These speed up set-up and operation,” he notes.

“Now it’s time to discover all the extras that the desk’s software has to offer, such as snapshots, cues, and the iPad Remote.”

For more information on BSAmedia, please visit www.bsamedia.nl or follow the BSAmedia Twitter page: @bsamedia

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of audio, lighting and infotainment solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson®, and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with Harman audio and infotainment systems. Harman has a workforce of about 14,300 people across the Americas, Europe, and Asia and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Livesound Adds HARMAN’s Soundcraft Vi1(tm) to its Soundcraft Console Inventory

BERNE, Switzerland – Swiss rental company Livesound B-AG has added a HARMAN Soundcraft Vi1 digital console to a cutting-edge hire fleet, which already includes a larger Vi4 and several Soundcraft analogue mixing desks.

Based outside Berne, it was the need for a monitor desk to mix the reference sound for leading Swiss rock band, Patent Ochsner that drove the latest acquisition. And the company knows the Vi1 can expect high usage on its return-right across the company’s core markets.

Livesound B-AG are a long-term customer of Soundcraft-and of its Swiss distributor, Dr. W.A. Guenther Distribution, who over the past two decades has kept Livesound B-AG supplied with several of Soundcraft’s flagship analogue dual-purpose MH4′s, as well as an MH3 and pair of GB8 desks.

But in 2008 they were ready to embrace Soundcraft’s digital platform for the first time, purchasing a Vi4 for a tour by big-selling Swiss rap artist, Bligg. It performed FOH duties for two tours before this year relocating to monitor duties for the artist’s Spring tour; it is now out with leading Swiss rapper, Stress.

“After the Vi4 we knew we needed a smaller, easy-to-handle desk for 400-capacity venues, where a reduced footprint was essential,” stated Thomas Gfeller, who co-founded the production company 36 years ago. He said the further investment in Soundcraft technology had been a dynamic response to this market demand for small venue touring.

“It also made sense to have it in our general inventory because of the desk’s intuitive control surface,” he continued. “Being fast to set up and easy to use, we can deploy it on different events-from rock concerts to corporate shows.” And to achieve further flexibility the company added a Vi6 stagebox, with optical multicore.

The sale was supervised by Dr. W.A. Guenther Distribution, who also organised a Vi1 demo prior to purchasing as part of a competitive evaluation. The rental company’s sound engineers assessed their options before coming down once again in favour of the Vi platform.

Livesound B-AG is part of a pool of Soundcraft users in Switzerland, who can cooperate on a cross-hire basis. Although the company rarely strays beyond the Swiss borders, it has collaborated with leading German company, Satis&Fy (on Rock im Park Festival in Nürnberg), as well as Linkin Park outdoor shows in Stuttgart, and at Ferropolis in Gräfenhainichen.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

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Wildwood Baptist Church Deploys HARMAN’s Soundcraft Vi1(tm) To Attract Top Christian Artists

LAS VEGAS, Nevada – When searching for a new digital console for the Acworth, Georgia-based Wildwood Baptist Church, Dennis Pope, Technical Coordinator at the church, chose HARMAN’s Soundcraft Vi1, knowing it would attract top artists in the Christian music community and allow for flexibility and expandability.

Pope, who has been a sound engineer for over 10 years now, has been the FOH engineer at Wildwood for the past five years. “I definitely did my homework when it came to finding a new board,” he said. “We wanted something that would not only be attractive to bring in entertainment, but allow us plenty of options and inputs for additional events. Once I sat in front of the console it just felt right, I was sold!”

The Wildwood Baptist Church, which caters to about 1,300 members, holds worship services twice on Sundays with rehearsal and band practice taking place on Wednesdays. “With the same band every weekend, it’s great to save my settings with the snapshot option,” Pope explained. “I simply boot up the board and run a quick sound check and I’m ready to go, it’s an amazing time saver. I make different pages for each song and even if I need to tweak a setting it’s straight forward.”

Pope hopes the Vi1 will help draw top Christian artists to perform at Wildwood. “Whenever we tell someone what console we are using they are instantly impressed. We’ve had musicians come in and simply plug in their flash drive or USB and be able to have their settings right there.”

Recently, the Church has brought in artists such as young Contemporary Christian music star Jamie Grace, Christian/Latin group The Katina’s and The Annie Moses Band. “These groups have helped to bring exposure to the community here, and we are pleased to share the music and experience with our members,” Pope said. “Having a state-of-the-art board makes it easy to promote.”

One feature of the Vi1 which stands out to Pope is the built-in Lexicon engine. “The board has endless settings and functions, it’s great to have all the effects built in and I don’t need to bother with third-party software. You get so much bang for your buck,” he stated.

Dennis also went on to praise the layout and Widescreen Vistonics(tm) user interface, saying, “The knobs and touchscreen are very easy to manipulate. I’m always impressed how easy it is to find what I’m looking for, I can maneuver through the touch screen without any hassle which is normally where I find myself getting lost with other brands and consoles.”

Since deploying the board, the Church has received nothing but positive feedback, even from the Minister. “After the first Sunday using the console, the Minister asked what settings I was using to make him sound better,” Pope said jokingly. “Another member of our congregation mentioned that it sounds like HD surround sound.”

“We are all so pleased with how everything has turned out and I look forward to learning even more about the console every day,” Pope summed up.

For more information on the Wildwood Baptist Church, please visit: http://www.wildwoodbaptist.org/

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

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NEW YORK, New York – From elegant social events to corporate gatherings and non-profit galas, New York City’s Gotham Hall never ceases to amaze. In order to match the prestige of the venue and its variety of functions, Eastern Stage Productions, located in Edgewood, New York, recently installed a HARMAN Soundcraft Vi1 digital console.

Gotham Hall, originally a landmark bank built in 1922 incorporating many Roman architectural features, was transformed in 2002 into a remarkable high-end ballroom. It has been used for a variety of events including concerts by James Brown, Alicia Keys, the B-52’s and corporate events such as the 2003 BMG GRAMMY® Awards after-party.

When looking to upgrade to a digital board, Tim Wright, Engineer for Eastern Stage Productions, recognized the need for a compact desk to fit in the corner of the large ballroom. “We didn’t want anything that would interfere with the overall atmosphere of the building as it has some amazing artwork and designs we didn’t want to obscure,” he said. “The Vi1 fits perfectly into our little 3×4-foot area, and we don’t lose any functionality that you would with other brands. Having the versatility to use the board at both the FOH and monitor positions gives us even more options.”

Easy control of different zones throughout the ballroom is an important feature of the Vi1, Wright noted. “Having control of the right, left and center speakers and being able to easily make adjustments to EQ is huge due to the fact that the dome shaped ceiling makes it acoustically difficult to tune. This makes it ideal for different types of concerts and events where you can change settings depending on the situation,” Wright stated. “I have loved using the de-esser and compressor to adjust the settings to fit the room as well. I don’t need to scroll through pages to change a quick setting, the EQ is very responsive and makes life easy.”

When making the transition to digital, Wright noted the easy learning process of Soundcraft and how it feels like an analog board. “The transition was seamless and gives us everything that we need and more for the price point. For a regional sound company we couldn’t have found a better fit.”

With the versatility that Gotham Hall offers to its patrons, simple connectivity of the Vi1 is important, as it can easily be moved to different locations throughout the space. “It is so user-friendly, there is no need to patch wire, no latency, everything just works well. I even encourage other engineers to try the board and most of them recognize right away the advantages that Soundcraft provides over other boards,” stated Wright.

Wright added, “Honestly for how compact the console is I am constantly surprised at how much it offers. The built-in Lexicon effects are easy to scroll through and changing settings is easy with the click of a button. The ability of the soft patching to copy vocals or settings to a different page is great. It’s just another way that Soundcraft is making my life easier and allowing me to focus on what needs to be done instead of making tedious changes to settings.”

“The support that I have received from Soundcraft verifies everything I feel about the company and console,” Wright concluded. “They are very helpful with support and truly know what they are talking about rather than simply reading from a script. If I didn’t truly love it I wouldn’t try to push the Soundcraft brand as much as I do.”

Eastern Stage Productions is an official Soundcraft dealer. For more information, please visit: http://www.espnewyork.com/

For more information on the Gotham Hall, please visit: http://www.gothamhallevents.com/index.htm

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.2 billion for twelve months ending December 31, 2011.

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Flogging Molly Travels The World With HARMAN’s Soundcraft Vi1™ Console

POTTERS BAR, United Kingdom — Celtic punk band Flogging Molly is currently touring the world with HARMAN’s Soundcraft Vi1 as its monitor console. For nearly 15 years, Flogging Molly has played its blend of traditional Irish sounds, hard-edged punk and thoughtful, socially conscious lyrics to millions across the globe.

The year 2011 saw the release of the band’s most important and ambitious album to date, Speed Of Darkness, which debuted in the Top 10 (#9 overall). The album was praised for its “call to arms” during these troubled economic times by such press outlets as The Wall Street Journal, Rolling Stone, Alternative Press, Associated Press, USA Today, Parade Magazine, Huffington Post and many more.

Flogging Molly’s tour manager Aaron Glas has been fond of Soundcraft boards from his experience working with the Vi4 and Vi6 at several venues including the famous Boston, Massachusetts House of Blues. “Once I got comfortable with the Soundcraft consoles, it was noticeable how easy they are to use and how good they sound,” he said. “When I found out they made a smaller and more affordable board using the same Vi series architecture including the Vistonics™, I had to have it for our live show. The Vi1 is very compact which makes it the perfect size for our traveling production.  It’s always nice on the road to have consistent, great sound when going in and out of many different types of venues; we knew we’d have a console to rely on that wouldn’t fail.”

Glas even mentioned, “Venues like the House of Blues which have a good variety of HARMAN equipment always sound awesome. HARMAN makes everything easy, and on nights like that, everything works toward a killer show with amazing sound.”

When working with a group that has seven band members, a compact board with plenty of inputs and outputs made the Vi1 an attractive option. “I really didn’t want to have to get a bigger board, and the Vi1 gave me everything I needed and more with enough outputs to do a number of wedges and in-ear mixes,” Glas said. “Other competing boards in the same range couldn’t work for us, since we needed a very compact console with lots of inputs and at least 24 outputs to mix our show.”

Chris McCleary, Monitor Engineer, added, “Mixing such a fast-paced show, the Vi1′s intuitive layout allows me to make the fast mix adjustments demanded by such a vast musical diversity on stage.”

For Glas and many others who have relationships with HARMAN and Soundcraft, the support has been excellent. “After developing a relationship with HARMAN, they made it even easier to travel with Soundcraft by helping us source a Vi1 in Europe,” he said. “We brought our show files over and are even able to record using the MADI card in a convenient, efficient way. Everything about the board and the support we’ve received is excellent. I can’t think of a better fit for what we need.”

McCleary summed up, “The ease of use, warmth and clarity gained from using the Vi1 far exceeds that of any competing model.”

For more information on Flogging Molly, please visit: http://www.floggingmolly.com/

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

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